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`!Gotham Chamber Opera`! was a professional opera company located in New York City. The company was founded in 2000 under the name of the `!`F33f`_`[Henry Street`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Henry_Street_(Manhattan)]`_`f Chamber Opera`! by Artistic Director Neal Goren and specialized in producing rarely performed `F33f`_`[chamber operas`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Chamber_opera]`_`f from the `F33f`_`[Baroque era`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Baroque_music]`_`f to the present. In 2003, it changed its name to the Gotham Chamber Opera (GCO) after incorporating as an independent `F33f`_`[501(c)(3) organization`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=501(c)(3)_organization]`_`f. Its Executive Director was `F33f`_`[Edward Barnes`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Edward_Barnes_(composer)]`_`f, who took over from David Bennett.`:cite-ref-1[`F5bf`_`[1`#cite-note-1]`_`f]`:cite-ref-close-2-0[`F5bf`_`[2`#cite-note-close-2]`_`f] It closed in 2015.`:cite-ref-close-2-1[`F5bf`_`[2`#cite-note-close-2]`_`f]`:cite-ref-fold-3-0[`F5bf`_`[3`#cite-note-fold-3]`_`f]

>>Contents

• `F0af`_`[History`#history]`_`f

• `F0af`_`[Henry Street Chamber Opera`#henry-street-chamber-opera]`_`f

• `F0af`_`[Gotham Chamber Opera`#gotham-chamber-opera]`_`f

• `F0af`_`[Productions`#productions]`_`f

• `F0af`_`[References`#references]`_`f

• `F0af`_`[External links`#external-links]`_`f

-─

>>History

>>>Henry Street Chamber Opera

The company first presented the American premiere of Mozart's `*`F33f`_`[Il sogno di Scipione`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Il_sogno_di_Scipione]`_`f`* (1771), staged by `F33f`_`[Christopher Alden`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Christopher_Alden_(director)]`_`f in 2001 at the Playhouse at the `F33f`_`[Abrons Arts Center`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Abrons_Arts_Center]`_`f, a 350-seat theater on the New Yorks's `F33f`_`[Lower East Side`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Lower_East_Side]`_`f.

Soon after, the company produced a double bill of `F33f`_`[Henry Purcell`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Henry_Purcell]`_`f's `*`F33f`_`[Dido and Aeneas`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Dido_and_Aeneas]`_`f`* (1689) and `F33f`_`[Darius Milhaud`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Darius_Milhaud]`_`f's `*Les malheurs d'Orphée`* (1924). Two more American premieres followed in November 2002 with Czech composer `F33f`_`[Bohuslav Martinů`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Bohuslav_Martinů]`_`f's 1928 `F33f`_`[Dada`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Dada]`_`f opera, `*`F33f`_`[Les larmes du couteau`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Les_larmes_du_couteau]`_`f`* (`*Tears of the Knife`*),`:cite-ref-4[`F5bf`_`[4`#cite-note-4]`_`f] and his 1935 `*`F33f`_`[Hlas lesa`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Hlas_lesa]`_`f`* (`*The Voice of the Forest`*).`:cite-ref-5[`F5bf`_`[5`#cite-note-5]`_`f]

>>>Gotham Chamber Opera

After incorporating as a non-profit organization in 2003, the newly renamed Gotham Chamber Opera (GCO) presented the American premiere of Swiss composer `F33f`_`[Heinrich Sutermeister`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Heinrich_Sutermeister]`_`f's 1935 `*Die schwarze Spinne`* (`*The Black Spider`*).

Gotham's February 2005 production of `F33f`_`[Handel`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=George_Frideric_Handel]`_`f's `*`F33f`_`[Arianna in Creta`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Arianna_in_Creta]`_`f`* played to full houses and drew favorable reviews. That summer, in a co-production with the Lincoln Center Festival and `F33f`_`[Spoleto Festival USA`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Spoleto_Festival_USA]`_`f, the company performed `F33f`_`[Ottorino Respighi`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Ottorino_Respighi]`_`f's fantastical `*`F33f`_`[La bella dormente nel bosco`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=La_bella_dormente_nel_bosco]`_`f`* (`*Sleeping Beauty in the Woods`*), featuring the puppetry of `F33f`_`[Basil Twist`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Basil_Twist]`_`f. In the spring of 2006, `F33f`_`[Benjamin Britten`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Benjamin_Britten]`_`f's only comedy, `*`F33f`_`[Albert Herring`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Albert_Herring]`_`f`*, received its first professional staging in New York in more than 30 years, and in the winter of 2007, `F33f`_`[Rossini`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Gioachino_Rossini]`_`f's `*`F33f`_`[Il signor Bruschino`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Il_signor_Bruschino]`_`f`* received its first major professional New York staging in more than half a century.

In the 2007/08 season, the company presented New York City's first staged production of `F33f`_`[Astor Piazzolla`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Astor_Piazzolla]`_`f's 1968 `F33f`_`[tango`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Tango]`_`f opera `*`F33f`_`[María de Buenos Aires`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=María_de_Buenos_Aires]`_`f`*, as well as `*Scenes of Gypsy Life`*, a fully staged evening of `F33f`_`[song cycles`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Song_cycle]`_`f by `F33f`_`[Janáček`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Leoš_Janáček]`_`f and `F33f`_`[Dvořák`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Antonín_Dvořák]`_`f, and `*Ariadne Unhinged`*, a retelling of the `F33f`_`[Ariadne myth`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Ariadne]`_`f through the music of `F33f`_`[Monteverdi`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Claudio_Monteverdi]`_`f, `F33f`_`[Haydn`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Joseph_Haydn]`_`f, and `F33f`_`[Schoenberg`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Arnold_Schoenberg]`_`f. And in 2009, `F33f`_`[Mark Morris`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Mark_Morris_(choreographer)]`_`f directed the U.S. stage premiere of Haydn's `*`F33f`_`[L'isola disabitata`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=L'isola_disabitata]`_`f`*.

Gotham presented Haydn's `*`F33f`_`[Il mondo della luna`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Il_mondo_della_luna]`_`f`* at the `F33f`_`[Hayden Planetarium`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Hayden_Planetarium]`_`f of the `F33f`_`[American Museum of Natural History`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=American_Museum_of_Natural_History]`_`f in January 2010. The production, staged by `F33f`_`[Diane Paulus`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Diane_Paulus]`_`f, featured `F33f`_`[NASA`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=NASA]`_`f-generated moon travel projections on the planetarium's 360-degree dome.

In October 2010, GCO with `F33f`_`[Tectonic Theater Project`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Tectonic_Theater_Project]`_`f presented the U.S. premiere of `F33f`_`[Xavier Montsalvatge`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Xavier_Montsalvatge]`_`f's `*El gato con botas`*`:cite-ref-6[`F5bf`_`[6`#cite-note-6]`_`f] (`*Puss in Boots`*). The production was directed by `F33f`_`[Moisés Kaufman`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Moisés_Kaufman]`_`f, with `F33f`_`[bunraku`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Bunraku]`_`f puppetry by the Blind Summit Theatre of London. The opera premiered at the `F33f`_`[New Victory Theater`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=New_Victory_Theater]`_`f in New York City.

In November 2010, Gotham Chamber Opera, Music-Theatre Group and `F33f`_`[Opera Philadelphia`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Opera_Philadelphia]`_`f announced the commission of a new American opera, `*Dark Sisters`*, composed by `F33f`_`[Nico Muhly`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Nico_Muhly]`_`f with a `F33f`_`[libretto`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Libretto]`_`f by `F33f`_`[Stephen Karam`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Stephen_Karam]`_`f, to be conducted by Neal Goren, and directed by `F33f`_`[Rebecca Taichman`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Rebecca_Taichman]`_`f. The world premiere took place in November 2011 at the `F33f`_`[Gerald W. Lynch`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Gerald_W._Lynch]`_`f Theater at `F33f`_`[John Jay College`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=John_Jay_College]`_`f in New York, one of the first works to be presented at the theater following the creation of a new lobby at the space. `*Dark Sisters`* was also presented in June 2012 as part of Opera Philadelphia's chamber opera series at the Perelman Theater in the `F33f`_`[Kimmel Center for the Performing Arts`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Kimmel_Center_for_the_Performing_Arts]`_`f. Gotham scheduled two workshops and orchestra readings, in November 2010 and March 2011, for the new work.

Gotham Chamber Opera included appearances on `F33f`_`[WNYC`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=WNYC]`_`f, displays at `F33f`_`[Bergdorf Goodman`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Bergdorf_Goodman]`_`f and `F33f`_`[Prada`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Prada]`_`f `F33f`_`[SoHo`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=SoHo,_Manhattan]`_`f, annual collaborations with the `F33f`_`[Gagosian Gallery`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Gagosian_Gallery]`_`f, and performances in various Manhattan venues. The company's activities also included school residencies, workshops, and free rehearsals.`:cite-ref-7[`F5bf`_`[7`#cite-note-7]`_`f]

GCO was a member of the professional organization `F33f`_`[OPERA America`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=OPERA_America]`_`f.

On October 1, 2015, Gotham Chamber Opera announced it would close due to previously undiscovered debts.`:cite-ref-close-2-2[`F5bf`_`[2`#cite-note-close-2]`_`f]`:cite-ref-fold-3-1[`F5bf`_`[3`#cite-note-fold-3]`_`f]

>>Productions

• 2001: `*Il sogno di Scipione`* (1771) by Wolfgang Amadeus Mozart, directed by `F33f`_`[Christopher Alden`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Christopher_Alden_(director)]`_`f at The Abrons Art Center (U.S. stage premiere)

• 2002: `*Dido and Aeneas`* (1689) by Henry Purcell, directed by `F33f`_`[Laurence Dale`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Laurence_Dale]`_`f at The Abrons Arts Center

• 2002: `*Les malheurs d'Orphée`* (1924) by Darius Milhaud, directed by Laurence Dale at The Abrons Arts Center

• 2002: `*`F33f`_`[Les larmes du couteau`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Les_larmes_du_couteau]`_`f`* (1928) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center (U.S. premiere)

• 2002: `*`F33f`_`[Hlas lesa`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Hlas_lesa]`_`f`* (1935) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center (U.S. premiere)

• 2004: `*Die schwarze Spinne`* (1935) by Heinrich Sutermeister, directed by `F33f`_`[Robin Guarino`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Robin_Guarino]`_`f at The Abrons Arts Center (U.S. premiere)

• 2005: `*Arianna in Creta`* (1733) by George Frideric Handel, directed by Christopher Alden at The Abrons Arts Center (U.S. stage premiere)

• 2005: `*La bella dormente nel bosco`* (1922) by Ottorino Respighi, directed by Basil Twist at Lincoln Center (U.S. stage premiere)

• 2006: `*Albert Herring`* (1947) by Benjamin Britten, directed by David Schweizer at The Abrons Arts Center

• 2007: `*Il signor Bruschino`* (1813) by Gioachino Rossini, directed by Robin Guarino at The Abrons Arts Center

• 2007: `*María de Buenos Aires`* (1968) by Astor Piazzolla directed by `F33f`_`[David Parsons`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=David_Parsons_(dancer)]`_`f at `F33f`_`[Jack H. Skirball Center for the Performing Arts`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Skirball_Center_for_the_Performing_Arts]`_`f, New York University

• 2007: `*Scenes of Gypsy Life`* a cautionary tale featuring music of Antonín Dvořák (1880) and Leoš Janáček (1919), directed by Eric Einhorn at the `F33f`_`[Morgan Library`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Morgan_Library]`_`f

• 2008: `*Ariadne Unhinged`*, music by Claudio Monteverdi (1608), Joseph Haydn (1789) and Arnold Schoenberg (1912) directed by `F33f`_`[Karole Armitage`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Karole_Armitage]`_`f at The Playhouse, Abrons Arts Center (World premiere)

• 2009: `*L'isola disabitata`* (1779) by `F33f`_`[Joseph Haydn`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Joseph_Haydn]`_`f, directed by Mark Morris at the Gerald W. Lynch Theater at John Jay College (New York stage premiere)

• 2010: `*Il mondo della luna`* (1777) by `F33f`_`[Joseph Haydn`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Joseph_Haydn]`_`f, directed by Diane Paulus at the `F33f`_`[Hayden Planetarium`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Hayden_Planetarium]`_`f

• 2010: `*El gato con botas`* (1946) by `F33f`_`[Xavier Montsalvatge`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Xavier_Montsalvatge]`_`f, directed by `F33f`_`[Moisés Kaufman`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Moisés_Kaufman]`_`f at the New Victory Theater (U.S. stage premiere)`:cite-ref-8[`F5bf`_`[8`#cite-note-8]`_`f]

• 2011: `*Dark Sisters`* (2013) by `F33f`_`[Nico Muhly`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Nico_Muhly]`_`f (World premiere)

• 2012: `*Il sogno di Scipione`* by Wolfgang Amadeus Mozart, directed by Christopher Alden at the Gerald W. Lynch Theater at John Jay College (10th anniversary production)

• 2012: Gotham @ `F33f`_`[(Le) Poisson Rouge`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=(Le)_Poisson_Rouge]`_`f: `*Orientale`* (Monteverdi, `F33f`_`[Rameau`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Jean-Philippe_Rameau]`_`f, `F33f`_`[Delibes`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Léo_Delibes]`_`f and others)

• 2012: `*`F33f`_`[Eliogabalo`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Eliogabalo]`_`f`* (1668) by `F33f`_`[Francesco Cavalli`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Francesco_Cavalli]`_`f, staged at `F33f`_`[The Box Soho`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=The_Box_Soho]`_`f

• 2012: `*`F33f`_`[La hija de Rappaccini`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Rappaccini's_Daughter_(opera)]`_`f`* (1991) by `F33f`_`[Daniel Catán`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Daniel_Catán]`_`f

• 2013: `*`F33f`_`[La descente d'Orphée aux enfers`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=La_descente_d'Orphée_aux_enfers]`_`f`* (1686) by `F33f`_`[Marc-Antoine Charpentier`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Marc-Antoine_Charpentier]`_`f

• 2013: `*`F33f`_`[Baden-Baden`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Donaueschingen_Festival]`_`f 1927`*, music by `F33f`_`[Milhaud`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Darius_Milhaud]`_`f, `F33f`_`[Toch`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Ernst_Toch]`_`f, `F33f`_`[Hindemith`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Paul_Hindemith]`_`f and `F33f`_`[Weill`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Kurt_Weill]`_`f

• 2013: `*`F33f`_`[Il combattimento di Tancredi e Clorinda`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Il_combattimento_di_Tancredi_e_Clorinda]`_`f`* (1624) by Monteverdi; `*I Have No Stories to Tell You`* by Lembit Beecher (World premiere)

• 2013: `*The Raven`* by `F33f`_`[Toshio Hosokawa`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Toshio_Hosokawa]`_`f (based on `F33f`_`[the poem of that name`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=The_Raven]`_`f by Edgar Allan Poe) (U.S. premiere)

>>References

`!Notes`!

`:cite-note-1`!1.`! `F0af`_`[↑`#cite-ref-1]`_`f About Us on the company's website Archived 2013-12-30 at the `F33f`_`[Wayback Machine`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Wayback_Machine]`_`f

`:cite-note-close-2`!2.`! `F0af`_`[↑`#cite-ref-close-2-0]`_`f `:citerefshaun-walker2015`aShaun Walker (1 October 2015). "Gotham Chamber Opera Announces That It Will Close". `*`F33f`_`[The New York Times`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=The_New_York_Times]`_`f`*. Retrieved 1 October 2015.

`:cite-note-fold-3`!3.`! `F0af`_`[↑`#cite-ref-fold-3-0]`_`f `:citerefcooper2016`aCooper, Michael (March 10, 2016). "Beer Bottles, Not Opera Glasses". `*`F33f`_`[The New York Times`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=The_New_York_Times]`_`f`*. p. C6.

`:cite-note-4`!4.`! `F0af`_`[↑`#cite-ref-4]`_`f `*Les larmes du couteau`* on the company's website

`:cite-note-5`!5.`! `F0af`_`[↑`#cite-ref-5]`_`f Production details and photographs for `*Hlas lesa`* on the company's website

`:cite-note-6`!6.`! `F0af`_`[↑`#cite-ref-6]`_`f Vivian Schweitzer, "From Wily House Cat to Lord of the Manor", `*`F33f`_`[The New York Times`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=The_New_York_Times]`_`f`*, October 3, 2010

`:cite-note-7`!7.`! `F0af`_`[↑`#cite-ref-7]`_`f More information from the company's website

`:cite-note-8`!8.`! `F0af`_`[↑`#cite-ref-8]`_`f Production details and photos from `*El gato con botas`* on the company's website

`!Sources`!

• Michael Cooper, "Rare Arias on a Lean Budget: Gotham Chamber Opera Has Rare Works and Many Venues", `*The New York Times`*, 24 December 2013

• `F33f`_`[Anthony Tommasini`:/page/wikibook/entry.mu`zim=wikipedia_en_all_nopic_2025-08.zim|entry_path=Anthony_Tommasini]`_`f, "An Emperor in Drag and Other Decadencies: Cavalli's `*Eliogabalo`*, by Gotham Chamber Opera, at the Box", `*The New York Times`*, 18 March 2013.

>>External links

• Official website

• George Grella, "For now, Gotham Chamber Opera is happy to remain small yet significant", interview with Director David Bennett on newyorkclassicalreview.com. February 24, 2014

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